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In
the ancient Khmer Kingdom, a stone castle like the Angkor Wat was
built to contain the remains of a royal person. The stone castle
is, infact, the royal crematorium called in Thai, Phra Meru Mat.
The crematorium will be dismantled after the Cremation ceremony.
In the old days, the King was believed to be the reincarnation of
a god whose celestial abode was on Mount Meru, the centre of the
universe in the Buddhist cosmology. The crematorium, thus, represents
Mount Meru.

Apart
from the royal crematorium, resembling a tiny pagoda-topped palace
building, there are also several structures around it. Among them
is Sala Songtham, the Royal Sermon-Attending Pavilion, where the
King listens to the sermons and performs all the religious rites
preceeding the cremation. Midway, on either side of the crematorium's
enclosure is a gateway. Running on either side of each gate are
ceremonial fences called Ratchawat, meaning royal fence.

In
former times, royal crematoriums are said to have been built on
a grander scale with much pomp and circumstance. The last one, built
on a full scale, was for King Mongkut or Rama IV of the Bangkok
Perild. King Chulalongkorn, Rama V, and King Vajiravudh, Rama VI,
left instructions for their own cremations to the effect that the
royal crematoriums should be smaller in size, certain ceremonies
should be scaled down and the period of the ceremonies shortened
to suit the circumstances. These instructions have also been adhered
to for the monarchs of subsequent reigns.

The crematorium for the late Princess Mother was 30.50 metres high,
excluding the Seven-Tiered White Umbrella of State, or the Saptapadon
Sawettachat. It was 26.70 metres in width and 36.30 metres in length.
The wooden structure consisted of two terraces. The lower terrace
was decorated with 20 sculptures of Deva, the heavenly beings holding
ceremonial fans. There were 12 stairways on four sides. Each stairway
comprised nine steps. The upper terrace was decorated with 24 open
umbrellas made of gold and there were 14-steps inside. The red and
gold colours were mainly used to deccorate the royal crematorium
in accordance with the Thai architectural form. The north and south
wings were longer than the east and west wings.

All
four wings had superimposed double rooves with the initials of the
late Princess Mother on the gables. In addition to the Sala Songtham,
there were several pavilions for members of the Royal Family, the
Privy Council, high-ranking officials and diplomatic corps.

The
royal remains of the Princess Mother were encased in a royal urn
called Phra Kot-Phra Long. The royal urn consisted of a gold ornamented
outer urn and an unadorned inner one. It was placed on a vehicle
called Phra Yannamat Sam Lamkhan, a Golden Palanquin with Three
Ploes, made of teak wood, exquisitely carved. Two shifts of pole-bearers
were needed to carry the palanquin. Each shift requires 60 people.
After the royal urn was transferred to the three-poled palanquin,
the royal creamtion procession started to move from the Grand Palace
towards the Phra Maha Phichai Ratcharot, the Great Royal Carriage
of Victory, in front of Wat Phra Chetuphon, slao known as the Temple
of the Reclining Buddha. The royal urn was later drawn up to Butsabok,
a roofed throne, on the Phra Maha Phichai Ratcharot, ready to be
moved to the Sanam Luang ceremonial site where the royal crematorium
is located.

The
Phra Maha Phichai Ratcharot is 1,530 centimetres long. It was built
during the reign of King Rama I. Ratcharot Noi, the Small Royal
Carriage, also took part in the royal cremation procession and was
used by the Supreme Patriarch allowing him to sit for the duration
of the royal cremation procession.

The
Seven-Tiered White Umbrella of State used in the cremation of the
Princess Mother is made of white cloth with gold bands reserved
as the regalia of a Queen or a Crown Prince.
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